Tag: science fiction

I’ve been thinking about the role of magic/advanced technology in both Science Fiction and Fantasy writing. In both genres it can define a major aspect of the story world. Or it can be part of the sideshow accompanying the main plot. Either way, to have speculative fiction there needs to be something to speculate about. This usually done by projecting forward (advanced technology) or drawing from legends past (magic), if it gets scary along the way we call it horror.

In theory, writing is easy. You type one word after another until the story is finished. But somehow it doesn’t work out that way in practice. At least for me, as someone who’s never had any significant writing instruction, the scope of a large project can be daunting. All the writing classed I’ve ever taken have been focused on short works. From high school creative writing, the classes it took to get junior college requirements out of the way, a few online college classes in short stories and non-fiction articles, and none were focused on work over 1500 words.

Sometimes I run across an older book that’s usually out-of-print, but has exceptional wisdom locked up in its pages. I found this one at my local Half Priced Books. First Edition cover, 1991. The very nature of this book—20 essays about writing by the best SFF authors—makes it hard to review as a whole. I think a better strategy is to look at each chapter in detail. See all of my WSF&F chapter reviews.

Sometimes I run across an older book that’s usually out-of-print, but has exceptional wisdom locked up in its pages. I found this one at my local Half Priced Books. First Edition cover, 1991. The very nature of this book—20 essays about writing by the best SFF authors—makes it hard to review as a whole. I think a better strategy is to look at each chapter in detail. See all of my WSF&F chapter reviews.

Sometimes I run across an older book that’s usually out-of-print, but has exceptional wisdom locked up in its pages. I found this one at my local Half Priced Books. First Edition cover, 1991. The very nature of this book—20 essays about writing by the best SFF authors—makes it hard to review as a whole. I think a better strategy is to look at each chapter in detail. See all of my WSF&F chapter reviews.

Sometimes I run across an older book that’s usually out-of-print, but has exceptional wisdom locked up in its pages. I found this one at my local Half Priced Books. First Edition cover, 1991. The very nature of this book—20 essays about writing by the best SFF authors—makes it hard to review as a whole. I think a better strategy is to look at each chapter in detail. See all of my WSF&F chapter reviews.

Sometimes I run across an older book that’s usually out-of-print, but has exceptional wisdom locked up in its pages. I found this one at my local Half Priced Books. First Edition cover, 1991. The very nature of this book—20 essays about writing by the best SFF authors—makes it hard to review as a whole. I think a better strategy is to look at each chapter in detail. See all of my WSF&F chapter reviews.

Sometimes I run across an older book that’s usually out-of-print, but has exceptional wisdom locked up in its pages. I found this one at my local Half Priced Books. First Edition cover, 1991. The very nature of this book—20 essays about writing by the best SFF authors—makes it hard to review as a whole. I think a better strategy is to look at each chapter in detail. See all of my WSF&F chapter reviews.

Sometimes I run across an older book that’s usually out-of-print, but has exceptional wisdom locked up in its pages. I found this one at my local Half Priced Books. First Edition cover, 1991. The very nature of this book—20 essays about writing by the best SFF authors—makes it hard to review as a whole. I think a better strategy is to look at each chapter in detail. See all of my WSF&F chapter reviews.

Sometimes I run across an older book that’s usually out-of-print, but has exceptional wisdom locked up in its pages. I found this one at my local Half Priced Books. First Edition cover, 1991. The very nature of this book—20 essays about writing by the best SFF authors—makes it hard to review as a whole. I think a better strategy is to look at each chapter in detail. See all of my WSF&F chapter reviews.